Danny Goodwin

Education

1992    Master of Fine Arts, Combined Media

              Hunter College, City University of New York, New York, New York

1989     Bachelor of Fine Arts, Photography

              University of North Texas, School of Visual Arts, Denton, Texas

Solo Exhibitions

2013     Way Out Gallery, Rensselaerville, NY

               August 6 - 26

2007     Schenectady Museum & Suits-Bueche Planetarium, Schenectady, NY

              March 30 – April 23

2006     PhotoNewburgh Gallery, Newburgh, NY

              May 20 – June 24

2004     Sheetz Gallery, Penn State Altoona, Altoona, Pennsylvania

              September 9 – October 10, 2004

             Vertical Gallery, Rensselaer Polytechnic Institute, Troy, New York

              February 23 – April 2

2003     Jack the Pelican Presents, Brooklyn, New York

              November 21 through December 22, 2003 (extended through January 5, 2004)

2000     Art Resources Transfer, Inc., New York, New York

              April 5 – 29

             Koussevitsky Art Gallery, Berkshire Community College, Pittsfield, Massachusetts,

              April 19 –  May 19

Group and Two-Person Exhibitions

2014     Home Grown: Fellowship Recipients 2005 - 2014, Center for Photography at Woodstock,

             Woodstock, NY

 November 15 - January 11

2013     Untitled Installation, Scope Miami Beach Art Fair, SeeMe Brooklyn Gallery, Miami Beach, FL

             December 3 - 8

             An Armory Show, Opalka Gallery, Albany, NY

             August 26 – December 15

             Segue:  Matt Tiernan and Danny Goodwin,  Way Out Gallery, Rensselaerville, NY

             July 26 - August 5

             Unhinged, Pierogi Gallery, Brooklyn NY

             July 5 – 28, 2013

2012     Bad Moon Rising 6, Curated by Jan Van Woensel, Cartel Gallery, London, UK.

2011     No Longer the Property Of, Lost Coast Culture Machine, Fort Bragg, CA, April 1 – May 29, 2011.

2010     Atrium, Albany NanoTech Complex, College of Nanoscale Science and Engineering

              University at Albany, SUNY, Albany, NY

              November 10, 2010 – February 2012

              Fence 23:  Exhibition and Launch Party, Warren Street Gallery

              Hudson, NY, July 10 – June 10, 2010.

              Bad Moon Rising 5, Curated by Jan Van Woensel, UKS, Oslo, Norway

              April 24th - May 16th, 2010.

              Blaine de St. Croix and Danny Goodwin, The Teaching Gallery

              Hudson Valley Community College, Troy, NY

              February 9 – March 20, 2010.

2009      Powers of Ten, Perrella Gallery, Fulton-Montgomery Community College, Johnstown, NY

              October 16 – December 11.

              Bad Moon Rising 4, Curated by Jan Van Woensel, Galerie Sans Titre, Bruxelles, Belgium

              June 14 – July 11.

              31st Annual Photography Regional, Opalka Gallery, Albany, NY

               March 6 – April 12.

               Flash, Prospect Range Gallery, Brooklyn, NY, March 21 – April 5.

               Anxious Ground: Contemporary Landscape Photography, The College of New Jersey

               Ewing, NY, February 18 – March 25.

               Bad Moon Rising 3, Boots Contemporary Arts Space, Curated by Jan Van Woensel

               St. Louis, MO, January 16 – February 21.

2008       Under Surveillance, John Michael Kohler Arts Center, Sheboygan, WI, June 29 – Sept. 28.

2006       Model Citizen, Albany International Airport Museum, Aug. 11 – Oct. 22.

               Out of Context, Omi International Arts Center, Omi, NY, June 19 – July 27.

               Model Citizen, Cambridge Arts Council, Cambridge, CT, Feb. 27 – April 7.

                Slide Jam, The Arts Center of the Capital Region, Troy, NY, March 10 – June 4.

                Slide Jam, The Spectrum Theater, Albany, NY, March 10 – June 4.

2005        The Landscape Show, Van Brunt Gallery, Beacon, NY, January 15 – February 27.

                Night of 1000 Drawings, Artists Space, New York, NY, December 9 & 10.

2004        AmBushed!, Van Brunt Gallery, New York, NY, August 24 – September 18.

                New Look, Albany Center Galleries, Albany, New York

                April 20 – 30.

                 Benefit 2004, Momenta Art, Brooklyn, New York

                 April 9 – April 25 and White Columns, New York, New York April 28 – May 1

                 BenAddiction, Goliath Visual Space, Brooklyn, New York

                 March 12 – March 27, 2004

                 On the Verge, Mason Gross School of the Arts, Rutgers, State University of New Jersey,

                 in conjunction with the 2004 Southern Graphics Conference

                 March 17-20, 2004

                 Projekt30  Publicly Juried Online Exhibition, February 2004, http://www.projekt30.com

2003         New Media and Photography:  Works by Thom O’Connor, Danny Goodwin, Milt Connors

                 and Sandra Wimer, Perella Gallery, Fulton-Montgomery Community College, Fulton, New York

                 Urban Visionaries Exhibition, Benefit and Silent Auction, School of Art,

                 The Cooper Union for the Advancement of Science and Art, New York, New York

2002         Night of 1000 Drawings, Artists Space Gallery, New York, New York, December, 2002.

                 Digital Art 2002, Kentucky State University, Frankfort, Kentucky

2001         CIT’01 Digital Art Exhibition, SUNY Geneseo, New York

                 2001 Benefit Exhibition, Art Resources Transfer, Inc., New York, New York

                 23rd Photography Regional, Albany International Airport Gallery, New York

                 Mohawk-Hudson Regional Invitational Exhibition, Albany Center Galleries, Albany, New York

2000         Searching the Criminal Body:  Art, Science and Prejudice, Curated by Susan Erony

                 and Nicole Rafter, University Art Museum, University at Albany, New York

                 2000 Artists of the Mohawk Hudson Regional Juried Exhibition, Juror:  Xu Bing,

                 University Art Museum, University at Albany, New York

                 2000 Benefit Exhibition, Art Resources Transfer, Inc., New York, New York

1999         Digital Documentary:  The Need to Know/ The Urge to Show, Curated by Steve Dietz,

                 Walker Art Center, pARTs Gallery, Minneapolis, Minnesota

1998         Members Show, CEPA Gallery, Buffalo, New York

                 One Less Than Nine, Proposition Gallery, Belfast, Ireland

1997         Benefit Exhibition/Auction, Momenta Art, Brooklyn, NY/White Columns, New York, New York

                 Picture This:  Former and Present School of Art Faculty , The Cooper Union School of Art,

                 New York, New York

                 Current Undercurrent:  Working in Brooklyn, Brooklyn Museum of Art, Brooklyn, New York

                 Gramercy International Contemporary Art Fair, Gramercy Park Hotel, New York, New York

1996         Off the Map, Brooklyn Brewery, Williamsburg, Brooklyn, New York

                 In Our Sights: Artists Look at Guns, California Museum of Photography, Riverside, California

                 Hostile Witness, Washington Project for the Arts, Washington, D.C.

                 Cooper Union Digital, The Cooper Union School of Art, New York, New York

1995         Other Rooms, Artists from Momenta Art and Pierogi 2000 at Ronald Feldman Fine Art,

                  New York, New York

                  Inaugural Exhibition, Momenta Art, Brooklyn, New York

1994          Entropy: Detritus from the Late Twentieth Century, F.P.U. 13, New York, New York

1992          MFA Thesis Exhibition, Hunter College, Voorhees Gallery, New York, New York

1991          Graduate Film and Video Festival, Hunter College, Voorhees Gallery, New York, New York

1989          Voertman Competition, Union Art Gallery, University of North Texas, Denton, Texas

1988          Annual International Photographic Competition, East Texas State University, Commerce, Texas

1988         Union Show, Union Art Gallery, University of North Texas, Denton, Texas

                 Voertman Competition, Union Art Gallery, University of North Texas, Denton, Texas

                 Not for the Living Room: Eleven Texas Photographers, Diverseworks Gallery, Houston, Texas

1987         North Texas Photographers, 500X Gallery, Dallas, Texas

                 Paper Works: Works on Paper, Paper Routes Gallery, Dallas, Texas

Pierogi 2000 Flat-Files Exhibitions

Pierogi: The Flat Files, University Art Museum, University at Albany, Albany, NY

February 6 – March 2004

New York, New Work, Now!, The Currier Museum of Art, Manchester, New Hampshire

September 28, 2002 – January 12, 2003

Pierogi: The Flat Files, The University of Southern Maine, Gorham, Maine

September 2003

The Pierogi Flatfiles, Block Artspace, Kansas City, Missouri

 January 19 – February 28, 2001

Haulin' Ass , POST Gallery, Los Angeles, California

November 18 – December 16, 2000

Multiple Sensations, Yerba Buena Center for the Arts, San Francisco, California

 August 4 – October 22, 2000

Pierogi 2000: The Flatfiles, Rosenwald-Wolf Gallery,

The University of the Arts , Philadelphia, Pennsylvania

 November 4 – December 4, 1999

 Pierogi Goes to College

Bard College, Rheinbeck, New York

October 5 – November 5, 1998

Vassar College, Poughkeepsie, New York

October 5 – November 5, 1998

Pierogi 2000, New York: The Flatfiles

Kunstlerhaus, Vienna, Austria, August 28 – September 28, 1998

Art on Paper, Weatherspoon Art Gallery, Greensboro, North Carolina

November 16, 1997 – January 18, 1998

New York Drawers, The Pierogi 2000 Flatfiles

Cornerhouse, Manchester, England

October 4 – November 16, 1997

New York Drawers, The Pierogi 2000 Flatfiles

GasWorks, London, England

August 30 – September 28, 1997

Professional Experience

Fall 2013 -                    Director, Photography and Related Media

present                       Department of Art and Art History, 

                                    University at Albany, State University of New York

Spring 2012 –              Graduate Director, Department of Art and Art History

Fall 2013                      University at Albany, State University of New York

Spring 2007 –             Chair, Department of Art

                                     University at Albany, State University of New York 

Fall 2012                     (Studio Art, Art History, Mediterranean Art and Archaeology, Religious Studies)

                                     University at Albany, State University of New York

Spring 2006-                Associate Professor of Art, Photography and Digital Media

Present                        Combined Media Program Director

                                     University at Albany, State University of New York

Fall 1999-                    Assistant Professor of Art, Photography and Digital Media

Fall 2005                     University at Albany, State University of New York

Fall 1998-                    Assistant Professor of Art and Design

Spring 1999                 Purdue University Department of Visual and Performing Arts, West Lafayette, Indiana

Fall 1997-                    Visiting Assistant Professor, Photography

Spring 1998                 Purdue University Department of Visual and Performing Arts, West Lafayette, Indiana

Fall 1996-                    Interim Department Coordinator, Photography

Spring 1997                 The Cooper Union School of Art, New York, New York

Fall 1994-                    Instructor

Spring 1997                 The Cooper Union School of Art, New York, New York

1995-97                       Member, Portfolio Review Panel

                                    The Cooper Union School of Art, New York, New York

1992-97                       Technical Supervisor, Photography

                                    The Cooper Union School of Art, New York, New York

1992                            Technician, Photography

                                    Hunter College, City University of New York, New York, New York

Selected Bibliography

Online project “Aerial Auto-Surveillance” (http://www.dannygoodwin.com) chosen by Rhizome.org to be permanently archived in “Artbase” database. (Rhizome.org is a nonprofit organization that was founded in 1996 to provide an online platform for the global new media art community. Programs and services support the creation, presentation, discussion and preservation of contemporary art that uses new technologies in significant ways.  Core activities include commissions, email discussions and publications, and events.  The Rhizome.org community is geographically dispersed, and includes artists, curators, writers, designers, programmers, students, educators and new media professionals. Artbase is a permanent archive of historically significant new media art works.)

Blank, Gil.  “Discussion with Louis Brawley and Danny Goodwin” Influence Magazine November 2003, pp. 114 – 118.

Brickman, David. “Digital World” Metroland February 2003.

Cahill, Timothy. “Regional Shows Artists’ Vision” The Albany Times Union 1 July 2000.

Cahill, Timothy. “Here’s a Theory” The Albany Times Union 29 September  2000,  pp. D1 – D3.

Center for Photography at Woodstock, Photography Quarterly #92:  Inaugural Regional Triennial of Photographic Art, 2006.

Haden-Guest, Anthony.  “The Matrix Men” ArtReview April 2004, pp. 62 – 65.

Hugunin, James. “Art and New Technologies:  Pro and Con” U-Turn Electronic Magazine (http://www.uturn.org) Issue 1,1998.

Knaff, Devorah L.  “Taking Double-Barreled Aim at Gun Issue” The Riverside Press-Enterprise, 31 March, 1996, p. E2.

LaRocco, Benjamin. “Danny Goodwin at Jack the Pelican” The Brooklyn Rail January 2004.

Lauren, Stacey. “Sometimes a Great Notion“ Metroland 8 February 2001.

Lewis, Peter.  “Site Seeing--The Central Intelligence Museum” Seattle Times 13 September 1998, p. C2

Mannes, George.  “Spooky Toys” New York Daily News 24 November 1996, TechZone, pp. 50 – 51.

Marcus, Tony. “Website of the Month:  The Central Intelligence Museum” i-D Magazine December 1996.

Motlani, Aisha.  “The Public Eye” ExpressMilwaukee.com 4 September 2008.

O'Brien, Pat.   “Sights on Guns” The Riverside Press-Enterprise 31 March 1996, Arts & Entertainment, pp. E1 – E2.

Richard, Paul.  “A Great Place to Snoop Around” The Washington Post 11 December 1995, pp. D8 – D9.

Pierogi Press #11, 2004 (co-edited by Susan Swenson and Rick Moody):  two photographs reproduced. Invited participation in volume:  limited, numbered edition of 500.

Pierogi Press #9,2002 (Susan Swenson, ed.): two photographs reproduced pp. 20, 21.  Invited participation in volume:  limited, numbered edition of 500.

Scanner. Review, “The Central Intelligence Museum” Details Magazine December 1998.

Schumacher, Mary Louise.  “Art on Their Sleeves” Milwaukee Journal Sentinel 12 July 2008.

Tyson, Janet. “Feasts for the Eyes” The Ft. Worth Star Telegram 8 January  1993, StarTime, p. 19.

Yeager, William. “All Art ‘WORK’ and No Play” The Albany Times Union  4 February 2001.

Yeager, William. “Supermodel is Neither at Mass MOCA; Spy Gadgets Mix with Fun” The Albany Times Union 30 April 2000.

Grants/Awards

SUNY IITG Grant, 2012 & 2013 (Co-Investigator, Peter Shea PI)

Woodstock Center for Photography Fellowship Fund, 2006

Dean’s Award for Outstanding Achievement in Teaching:  Innovations in Teaching, U. Albany, SUNY, 2006

New York Foundation for the Arts Fellowship in Computer Arts, 2005

New York Foundation for the Arts S.O.S. Grant, November 2003.                   

SUNY Research Foundation Bridge Funding Grant, Spring 2003.

SUNY Faculty Research Award Program Grant, Spring 2002.

New York Foundation for the Arts S.O.S. Grant, January 2001.

Museum Purchase Award, Artists of the Mohawk Hudson Region Juried Exhibition, 2000.  Print purchased for collection of University Museum, University at Albany

Albany Center Galleries Exhibition Award, Artists of the Mohawk Hudson Regio, 2000.

SUNY Faculty Research Award Program Grant, Spring 2000.

United University Professions Award, Spring 2000.

Purdue University Faculty Incentive Grant, February 1999

Purdue University Faculty Incentive Grant, November 1998.

Lectures/Other Professional Activities

Curator, 33rd Annual Photography Regional, Opalka Gallery, Sage College, Albany, NY, March 12 – April 22, 2012.

Visiting Artist, Academy of Visual Arts, Hong Kong Baptist University, Kowloon Tong, Hong Kong, PRC, February 20 – 25, 2011.

Visiting Artist, Academy of Visual Arts, Hong Kong Baptist University, Kowloon Tong, Hong Kong, PRC, June 20 – July 4, 2009.

Juror, IMAGES 2009 Photography Show, Shoreline Arts Alliance, Guilford, CT, Feb. 2, 2008.

Juror, BUILT:  Albany’s Architecture Through Artists’ Eyes, Historic Albany Foundation, Nov. 8, 2008.

Presenter/Panelist—“Homeland:  Borders and Boundaries”, Mid-Atlantic & Northeast Joint Conference, Society for Photographic Education, Center for Photography at Woodstock, Woodstock, NY, November 3, 2007.  Co-presenters/panelists:  Trevor Paglen, Hasan Elahi, Jill Magid.

Presenter/Panelist—“Who’s Guarding the Guards?”, Schectady Museum & Suits-Bueche Planetarium, Schenectady, NY.  Keynote address:  Trevor Paglen, April 14, 2007.

Visiting Artist—Lecture and Studio Critiques, Middlebury College, Middlebury, VT, April 24, 2006.

Juror, Senior Exhibition, Hudson Valley Community College, Troy, NY, April 5, 2006.

Visiting Artist—Lecture and Studio Critiques, Visual Research Laboratory, School of Fine and Performing Arts, SUNY New Paltz, March 6, 2006.

Visiting Artist/Panelist:  “NYFA Fellows Panel Discussion and Studio Visits”, Hunter College MFA Program, New York, NY, December 3, 2005.

Visiting Artist, Rensselaer Polytechnic Institute, Troy, NY, October 24, 2005.

Exhibits Committee Member, The Arts Center of the Capital Region, Troy, NY, 2005 – 2007.

Performance:  “Counterintelligence:  Watching the Watchers,” Digital Expression, Recital Hall, Performing Arts Center, University at Albany, Tuesday, March 30, 2004.

Presenter, Digital Expression, Recital Hall, Performing Arts Center, University at Albany, Tuesday, March 23, 2004.

Panelist, “Technology Across the Disciplines:  A Roundtable Discussion”, 2004 Humanitech Conference, University at Albany, April 23, 2004.

Visiting Artist—lecture and grad student portfolio review, Visual Research Laboratory, MFA  Program, School of Fine and Performing Arts, SUNY New Paltz, March 29, 2004.

Digital Media Workshop Series presented to Art Department faculty and staff, Spring 2004 and Fall 2004, Boor Sculpture Studio Multimedia Suite, University at Albany.

Distinguished Guest Juror, 2003 Capstone Prize, EMAC Program, Rensselaer Polytechnic Institute, Troy, New York

Photographing your Artwork for Reproduction, presentation given to Masters Thesis Seminar in Art Education class at College of St. Rose, Albany, New York, March, 2003.

Moderator, The Politics of Media:  Culture Jammers, Hackers, Hacktivists, and Other Encounters between Art, Media, and Technology, with Mark Dery and Dr. McKenzie Wark, Art and Culture Talks Inaugural Series, University Art Museum, University at Albany, April 10, 2003.

Panelist, Interdisciplinary Faculty Seminar: “HumaniTech 101”, PAC Recital Hall, University at Albany, February 5, 2003.  Paper and Powerpoint presentation given:  “Keeping it Real:  Photographic Veracity in the Age of the Post Photographic”.

Panelist, Sights, Sites and Insights:  A Prism into the Arts and Sciences, October 25, 2002, PAC Recital Hall, University at Albany.  Paper and Powerpoint presentation given:  “Photographic Veracity in the Age of the Post-Photographic”.

Expert Consulting for Dallas Morning News, Technology Section, on emerging digital camera technology, 2001-2003.

Photographic and digital retouching work and consulting for 911-World Trade Center/Fresh Kills exhibition, New York State Museum, November, 2002.

Gallery Talk and Artists Panel, Perrella Gallery, Fulton Montgomery Community College, November 21, 2002.

Curator:  WORK, University Art Museum, University at Albany, February-March 2001.

Artist Interview and Tea, Albany Center Galleries, New York, February 2001

Panelist, Searching the Criminal Body:  Art, Science and Prejudice, Moderated by Susan Erony, University Art Museum, University at Albany, New York,

“Multimedia:  Best Practices,” Center for Excellence in Teaching and Learning, University at Albany, New York, February, 6, 2001.

“Compress ‘till it Hurts:  Understanding Web Graphics Optimization,” Interactive Multimedia Center, University at Albany Library, Spring 2001.

Visiting Artist Lecture/Multimedia Presentation:  "Counterintelligence"

University of North Texas School of Visual Arts, Denton, Texas, April 2000

Visiting Artist Lecture/Multimedia Presentation: “CounterIntelligence,” Koussevitsky Art Gallery, Berkshire Community College, Pittsfield, Massachusetts, April 24, 2000.

Visiting Artist Lecture/Multimedia Presentation: “Counterintelligence,” Cooper Union School of Art, New York, New York, February 2000.

“I/O:  360 (Color Management for Digital Output)”, Interactive Media Center, University at Albany Library, Fall 1999.

Visiting Artist Lecture/Multimedia Presentation:  "Counterintelligence"

University at Albany Art Dept., May 1999

Visiting Artist Lecture/Multimedia Presentation:  "Counterintelligence"

Montclair State University, Montclair, New Jersey, May 1999

Professional Organization Memberships

                        College Art Association, 1996 to present

                        Society for Photographic Education, 2003 to present

                        Center for Photography at Woodstock, 2003 to present

                        Rhizome at the New Museum of Contemporary Art, 2000 to present

                        United University Professions, 1999 to present