Education
1992 Master of Fine Arts, Combined Media
Hunter College, City University of New York, New York, New York
1989 Bachelor of Fine Arts, Photography
University of North Texas, School of Visual Arts, Denton, Texas
Solo and Two-Person Exhibitions
2015 Decoys and Devices: Terry Conrad and Danny Goodwin, curated by Liz Blum, New Art Center, Newtown, MA
November 6 - December 19
2013 Way Out Gallery, Rensselaerville, NY
August 6 - 26
Segue: Matt Tiernan and Danny Goodwin, Way Out Gallery, Rensselaerville, NY
July 26 - August 5
2010 Blaine de St. Croix and Danny Goodwin, The Teaching Gallery
Hudson Valley Community College, Troy, NY
February 9 – March 20, 2010.
2007 Schenectady Museum & Suits-Bueche Planetarium, Schenectady, NY
March 30 – April 23
2006 PhotoNewburgh Gallery, Newburgh, NY
May 20 – June 24
2004 Sheetz Gallery, Penn State Altoona, Altoona, Pennsylvania
September 9 – October 10, 2004
Vertical Gallery, Rensselaer Polytechnic Institute, Troy, New York
February 23 – April 2
2003 Jack the Pelican Presents, Brooklyn, New York
November 21 through December 22, 2003 (extended through January 5, 2004)
2000 Art Resources Transfer, Inc., New York, New York
April 5 – 29
Koussevitsky Art Gallery, Berkshire Community College, Pittsfield, Massachusetts,
April 19 – May 19
Group Exhibitions
2016 Wonderland, curated by Phil and Sue Knoll, No. Six Depot, West Stockbridge, MA
February 6 - March 1
2015 Artists of the Mohawk-Hudson Region, curated by Rachel Uffner, University Art Museum, Albany, NY
July 9 - September 5
2014 Home Grown: Fellowship Recipients 2005 - 2014, Center for Photography at Woodstock,
Woodstock, NY
November 15 - January 11
2013 Untitled Installation, Scope Miami Beach Art Fair, SeeMe Brooklyn Gallery, Miami Beach, FL
December 3 - 8
An Armory Show, Opalka Gallery, Albany, NY
August 26 – December 15
Unhinged, Pierogi Gallery, Brooklyn NY
July 5 – 28, 2013
2012 Bad Moon Rising 6, Curated by Jan Van Woensel, Cartel Gallery, London, UK.
2011 No Longer the Property Of, Lost Coast Culture Machine, Fort Bragg, CA, April 1 – May 29, 2011.
2010 Atrium, Albany NanoTech Complex, College of Nanoscale Science and Engineering
University at Albany, SUNY, Albany, NY
November 10, 2010 – February 2012
Fence 23: Exhibition and Launch Party, Warren Street Gallery
Hudson, NY, July 10 – June 10, 2010.
Bad Moon Rising 5, Curated by Jan Van Woensel, UKS, Oslo, Norway
April 24th - May 16th, 2010.
2009 Powers of Ten, Perrella Gallery, Fulton-Montgomery Community College, Johnstown, NY
October 16 – December 11.
Bad Moon Rising 4, Curated by Jan Van Woensel, Galerie Sans Titre, Bruxelles, Belgium
June 14 – July 11.
31st Annual Photography Regional, Opalka Gallery, Albany, NY
March 6 – April 12.
Flash, Prospect Range Gallery, Brooklyn, NY, March 21 – April 5.
Anxious Ground: Contemporary Landscape Photography, The College of New Jersey
Ewing, NY, February 18 – March 25.
Bad Moon Rising 3, Boots Contemporary Arts Space, Curated by Jan Van Woensel
St. Louis, MO, January 16 – February 21.
2008 Under Surveillance, John Michael Kohler Arts Center, Sheboygan, WI, June 29 – Sept. 28.
2006 Model Citizen, Albany International Airport Museum, Aug. 11 – Oct. 22.
Out of Context, Omi International Arts Center, Omi, NY, June 19 – July 27.
Model Citizen, Cambridge Arts Council, Cambridge, CT, Feb. 27 – April 7.
Slide Jam, The Arts Center of the Capital Region, Troy, NY, March 10 – June 4.
Slide Jam, The Spectrum Theater, Albany, NY, March 10 – June 4.
2005 The Landscape Show, Van Brunt Gallery, Beacon, NY, January 15 – February 27.
Night of 1000 Drawings, Artists Space, New York, NY, December 9 & 10.
2004 AmBushed!, Van Brunt Gallery, New York, NY, August 24 – September 18.
New Look, Albany Center Galleries, Albany, New York
April 20 – 30.
Benefit 2004, Momenta Art, Brooklyn, New York
April 9 – April 25 and White Columns, New York, New York April 28 – May 1
BenAddiction, Goliath Visual Space, Brooklyn, New York
March 12 – March 27, 2004
On the Verge, Mason Gross School of the Arts, Rutgers, State University of New Jersey,
in conjunction with the 2004 Southern Graphics Conference
March 17-20, 2004
Projekt30Publicly Juried Online Exhibition, February 2004, http://www.projekt30.com
2003 New Media and Photography: Works by Thom O’Connor, Danny Goodwin, Milt Connors
and Sandra Wimer, Perella Gallery, Fulton-Montgomery Community College, Fulton, New York
Urban Visionaries Exhibition, Benefit and Silent Auction, School of Art,
The Cooper Union for the Advancement of Science and Art, New York, New York
2002 Night of 1000 Drawings, Artists Space Gallery, New York, New York, December, 2002.
Digital Art 2002, Kentucky State University, Frankfort, Kentucky
2001 CIT’01 Digital Art Exhibition, SUNY Geneseo, New York
2001 Benefit Exhibition, Art Resources Transfer, Inc., New York, New York
23rd Photography Regional, Albany International Airport Gallery, New York
Mohawk-Hudson Regional Invitational Exhibition, Albany Center Galleries, Albany, New York
2000 Searching the Criminal Body: Art, Science and Prejudice, Curated by Susan Erony
and Nicole Rafter, University Art Museum, University at Albany, New York
2000 Artists of the Mohawk Hudson Regional Juried Exhibition, Juror: Xu Bing,
University Art Museum, University at Albany, New York
2000 Benefit Exhibition, Art Resources Transfer, Inc., New York, New York
1999 Digital Documentary: The Need to Know/ The Urge to Show, Curated by Steve Dietz,
Walker Art Center, pARTs Gallery, Minneapolis, Minnesota
1998 Members Show, CEPA Gallery, Buffalo, New York
One Less Than Nine, Proposition Gallery, Belfast, Ireland
1997 Benefit Exhibition/Auction, Momenta Art, Brooklyn, NY/White Columns, New York, New York
Picture This: Former and Present School of Art Faculty , The Cooper Union School of Art,
New York, New York
Current Undercurrent: Working in Brooklyn, Brooklyn Museum of Art, Brooklyn, New York
Gramercy International Contemporary Art Fair, Gramercy Park Hotel, New York, New York
1996 Off the Map, Brooklyn Brewery, Williamsburg, Brooklyn, New York
In Our Sights: Artists Look at Guns, California Museum of Photography, Riverside, California
Hostile Witness, Washington Project for the Arts, Washington, D.C.
Cooper Union Digital, The Cooper Union School of Art, New York, New York
1995 Other Rooms, Artists from Momenta Art and Pierogi 2000 at Ronald Feldman Fine Art,
New York, New York
Inaugural Exhibition, Momenta Art, Brooklyn, New York
1994 Entropy: Detritus from the Late Twentieth Century, F.P.U. 13, New York, New York
1992 MFA Thesis Exhibition, Hunter College, Voorhees Gallery, New York, New York
1991 Graduate Film and Video Festival, Hunter College, Voorhees Gallery, New York, New York
1989 Voertman Competition, Union Art Gallery, University of North Texas, Denton, Texas
1988 Annual International Photographic Competition, East Texas State University, Commerce, Texas
1988 Union Show, Union Art Gallery, University of North Texas, Denton, Texas
Voertman Competition, Union Art Gallery, University of North Texas, Denton, Texas
Not for the Living Room: Eleven Texas Photographers, Diverseworks Gallery, Houston, Texas
1987 North Texas Photographers, 500X Gallery, Dallas, Texas
Paper Works: Works on Paper, Paper Routes Gallery, Dallas, Texas
Pierogi 2000 Flat-Files Exhibitions
Pierogi: The Flat Files, University Art Museum, University at Albany, Albany, NY
February 6 – March 2004
New York, New Work, Now!, The Currier Museum of Art, Manchester, New Hampshire
September 28, 2002 – January 12, 2003
Pierogi: The Flat Files, The University of Southern Maine, Gorham, Maine
September 2003
The Pierogi Flatfiles, Block Artspace, Kansas City, Missouri
January 19 – February 28, 2001
Haulin' Ass , POST Gallery, Los Angeles, California
November 18 – December 16, 2000
Multiple Sensations, Yerba Buena Center for the Arts, San Francisco, California
August 4 – October 22, 2000
Pierogi 2000: The Flatfiles, Rosenwald-Wolf Gallery,
The University of the Arts , Philadelphia, Pennsylvania
November 4 – December 4, 1999
Pierogi Goes to College
Bard College, Rheinbeck, New York
October 5 – November 5, 1998
Vassar College, Poughkeepsie, New York
October 5 – November 5, 1998
Pierogi 2000, New York: The Flatfiles
Kunstlerhaus, Vienna, Austria, August 28 – September 28, 1998
Art on Paper, Weatherspoon Art Gallery, Greensboro, North Carolina
November 16, 1997 – January 18, 1998
New York Drawers, The Pierogi 2000 Flatfiles
Cornerhouse, Manchester, England
October 4 – November 16, 1997
New York Drawers, The Pierogi 2000 Flatfiles
GasWorks, London, England
August 30 – September 28, 1997
Academic Positions
Fall 2013 - Director, Photography and Related Media
present Department of Art and Art History,
University at Albany, State University of New York
Spring 2012 – Graduate Director, Department of Art and Art History
Fall 2013 University at Albany, State University of New York
Spring 2007 – Chair, Department of Art
University at Albany, State University of New York
Fall 2012 (Studio Art, Art History, Mediterranean Art and Archaeology, Religious Studies)
University at Albany, State University of New York
Spring 2006- Associate Professor of Art, Photography and Digital Media
Present Combined Media Program Director
University at Albany, State University of New York
Fall 1999- Assistant Professor of Art, Photography and Digital Media
Fall 2005 University at Albany, State University of New York
Fall 1998- Assistant Professor of Art and Design
Spring 1999 Purdue University Department of Visual and Performing Arts, West Lafayette, Indiana
Fall 1997- Visiting Assistant Professor, Photography
Spring 1998 Purdue University Department of Visual and Performing Arts, West Lafayette, Indiana
Fall 1996- Interim Department Coordinator, Photography
Spring 1997 The Cooper Union School of Art, New York, New York
Fall 1994- Instructor
Spring 1997 The Cooper Union School of Art, New York, New York
1995-97 Member, Portfolio Review Panel
The Cooper Union School of Art, New York, New York
1992-97 Technical Supervisor, Photography
The Cooper Union School of Art, New York, New York
1992 Technician, Photography
Hunter College, City University of New York, New York, New York
Selected Bibliography
Online project “Aerial Auto-Surveillance” (http://www.dannygoodwin.com) chosen by Rhizome.org to be permanently archived in “Artbase” database. (Rhizome.org is a nonprofit organization that was founded in 1996 to provide an online platform for the global new media art community. Programs and services support the creation, presentation, discussion and preservation of contemporary art that uses new technologies in significant ways. Core activities include commissions, email discussions and publications, and events. The Rhizome.org community is geographically dispersed, and includes artists, curators, writers, designers, programmers, students, educators and new media professionals. Artbase is a permanent archive of historically significant new media art works.)
Blank, Gil. “Discussion with Louis Brawley and Danny Goodwin” Influence Magazine November 2003, pp. 114 – 118.
Brickman, David. “Digital World” Metroland February 2003.
Cahill, Timothy. “Regional Shows Artists’ Vision” The Albany Times Union 1 July 2000.
Cahill, Timothy. “Here’s a Theory” The Albany Times Union 29 September2000, pp. D1 – D3.
Center for Photography at Woodstock, Photography Quarterly #92: Inaugural Regional Triennial of Photographic Art, 2006.
Crehan, April. "Looking Again: Perception and Deception in Newton's Art Center", The Metrowest Daily News, December 9, 2015
“December Wrap-Up: Decoys and Devices”, Flux Boston, December 1, 2015
Haden-Guest, Anthony. “The Matrix Men” ArtReview April 2004, pp. 62 – 65.
Hugunin, James. “Art and New Technologies: Pro and Con” U-Turn Electronic Magazine (http://www.uturn.org) Issue 1,1998.
Knaff, Devorah L. “Taking Double-Barreled Aim at Gun Issue” The Riverside Press-Enterprise, 31 March, 1996, p. E2.
LaRocco, Benjamin. “Danny Goodwin at Jack the Pelican” The Brooklyn Rail January 2004.
Lauren, Stacey. “Sometimes a Great Notion“ Metroland 8 February 2001.
Lewis, Peter. “Site Seeing--The Central Intelligence Museum” Seattle Times 13 September 1998, p. C2
Mannes, George. “Spooky Toys” New York Daily News 24 November 1996, TechZone, pp. 50 – 51.
Marcus, Tony. “Website of the Month: The Central Intelligence Museum” i-D Magazine December 1996.
McQuaid, Cate. “Exhibitions of Ceramics, Photography, Presses, Sculpture”, The Boston Globe, December 1, 2015
McQuaid, Cate. “Critic’s Pick, Galleries”, The Boston Globe, November 18, 2015
Motlani, Aisha. “The Public Eye” ExpressMilwaukee.com 4 September 2008.
O'Brien, Pat. “Sights on Guns” The Riverside Press-Enterprise 31 March 1996, Arts & Entertainment, pp. E1 – E2.
Richard, Paul. “A Great Place to Snoop Around” The Washington Post 11 December 1995, pp. D8 – D9.
Pierogi Press #11, 2004 (co-edited by Susan Swenson and Rick Moody): two photographs reproduced. Invited participation in volume: limited, numbered edition of 500.
Pierogi Press #9,2002 (Susan Swenson, ed.): two photographs reproduced pp. 20, 21. Invited participation in volume: limited, numbered edition of 500.
Scanner. Review, “The Central Intelligence Museum” Details Magazine December 1998.
Schumacher, Mary Louise. “Art on Their Sleeves” Milwaukee Journal Sentinel 12 July 2008.
Tyson, Janet. “Feasts for the Eyes” The Ft. Worth Star Telegram 8 January1993, StarTime, p. 19.
Yeager, William. “All Art ‘WORK’ and No Play” The Albany Times Union 4 February 2001.
Yeager, William. “Supermodel is Neither at Mass MOCA; Spy Gadgets Mix with Fun” The Albany Times Union 30 April 2000.
Grants/Awards
UAlbany Presidential Initiatives Fund for Research and Scholarship, 2015, Picturing the Anthropocene: Workshop and Artist Residency
The Hyde Collection Purchase Award, Artists of the Mohawk Hudson Region, 2015
SUNY IITG Grant, 2012 & 2013 (Co-Investigator, Peter Shea PI)
Woodstock Center for Photography Fellowship Fund, 2006
Dean’s Award for Outstanding Achievement in Teaching: Innovations in Teaching, U. Albany, SUNY, 2006
New York Foundation for the Arts Fellowship in Computer Arts, 2005
New York Foundation for the Arts S.O.S. Grant, November 2003.
SUNY Research Foundation Bridge Funding Grant, Spring 2003.
SUNY Faculty Research Award Program Grant, Spring 2002.
New York Foundation for the Arts S.O.S. Grant, January 2001.
Museum Purchase Award, Artists of the Mohawk Hudson Region Juried Exhibition, 2000. Print purchased for collection of University Museum, University at Albany
Albany Center Galleries Exhibition Award, Artists of the Mohawk Hudson Regio, 2000.
SUNY Faculty Research Award Program Grant, Spring 2000.
United University Professions Award, Spring 2000.
Purdue University Faculty Incentive Grant, February 1999
Purdue University Faculty Incentive Grant, November 1998.
Lectures/Other Professional Activities
Visiting Artist, Rensselaer Polytechnic Institute, Troy, NY, May 15 - 16, 2016.
Co-Curator, Future Perfect: Picturing the Anthropocene, University Art Museum, University at Albany, SUNY, July - December, 2016.
Expert Witness testimony and analysis of veracity of police evidence photographs for nationally high-profile murder case, April
19, 2016.
Curator, 33rd Annual Photography Regional, Opalka Gallery, Sage College, Albany, NY, March 12 – April 22, 2012.
Visiting Artist, Academy of Visual Arts, Hong Kong Baptist University, Kowloon Tong, Hong Kong, PRC, February 20 – 25, 2011.
Visiting Artist, Academy of Visual Arts, Hong Kong Baptist University, Kowloon Tong, Hong Kong, PRC, June 20 – July 4, 2009.
Juror, IMAGES 2009 Photography Show, Shoreline Arts Alliance, Guilford, CT, Feb. 2, 2008.
Juror, BUILT: Albany’s Architecture Through Artists’ Eyes, Historic Albany Foundation, Nov. 8, 2008.
Presenter/Panelist—“Homeland: Borders and Boundaries”, Mid-Atlantic & Northeast Joint Conference, Society for Photographic Education, Center for Photography at Woodstock, Woodstock, NY, November 3, 2007. Co-presenters/panelists: Trevor Paglen, Hasan Elahi, Jill Magid.
Presenter/Panelist—“Who’s Guarding the Guards?”, Schenectady Museum & Suits-Bueche Planetarium, Schenectady, NY. Keynote address: Trevor Paglen, April 14, 2007.
Visiting Artist—Lecture and Studio Critiques, Middlebury College, Middlebury, VT, April 24, 2006.
Juror, Senior Exhibition, Hudson Valley Community College, Troy, NY, April 5, 2006.
Visiting Artist—Lecture and Studio Critiques, Visual Research Laboratory, School of Fine and Performing Arts, SUNY New Paltz, March 6, 2006.
Visiting Artist/Panelist: “NYFA Fellows Panel Discussion and Studio Visits”, Hunter College MFA Program, New York, NY, December 3, 2005.
Visiting Artist, Rensselaer Polytechnic Institute, Troy, NY, October 24, 2005.
Exhibits Committee Member, The Arts Center of the Capital Region, Troy, NY, 2005 – 2007.
Performance: “Counterintelligence: Watching the Watchers,” Digital Expression, Recital Hall, Performing Arts Center, University at Albany, Tuesday, March 30, 2004.
Presenter, Digital Expression, Recital Hall, Performing Arts Center, University at Albany, Tuesday, March 23, 2004.
Panelist, “Technology Across the Disciplines: A Roundtable Discussion”, 2004 Humanitech Conference, University at Albany, April 23, 2004.
Visiting Artist—lecture and grad student portfolio review, Visual Research Laboratory, MFAProgram, School of Fine and Performing Arts, SUNY New Paltz, March 29, 2004.
Digital Media Workshop Series presented to Art Department faculty and staff, Spring 2004 and Fall 2004, Boor Sculpture Studio Multimedia Suite, University at Albany.
Distinguished Guest Juror, 2003 Capstone Prize, EMAC Program, Rensselaer Polytechnic Institute, Troy, New York
Photographing your Artwork for Reproduction, presentation given to Masters Thesis Seminar in Art Education class at College of St. Rose, Albany, New York, March, 2003.
Moderator, The Politics of Media: Culture Jammers, Hackers, Hacktivists, and Other Encounters between Art, Media, and Technology, with Mark Dery and Dr. McKenzie Wark, Art and Culture Talks Inaugural Series, University Art Museum, University at Albany, April 10, 2003.
Panelist, Interdisciplinary Faculty Seminar: “HumaniTech 101”, PAC Recital Hall, University at Albany, February 5, 2003. Paper and Powerpoint presentation given: “Keeping it Real: Photographic Veracity in the Age of the Post Photographic”.
Panelist, Sights, Sites and Insights: A Prism into the Arts and Sciences, October 25, 2002, PAC Recital Hall, University at Albany. Paper and Powerpoint presentation given: “Photographic Veracity in the Age of the Post-Photographic”.
Expert Consulting for Dallas Morning News, Technology Section, on emerging digital camera technology, 2001-2003.
Photographic and digital retouching work and consulting for 911-World Trade Center/Fresh Kills exhibition, New York State Museum, November, 2002.
Gallery Talk and Artists Panel, Perrella Gallery, Fulton Montgomery Community College, November 21, 2002.
Curator: WORK, University Art Museum, University at Albany, February-March 2001.
Artist Interview and Tea, Albany Center Galleries, New York, February 2001
Panelist, Searching the Criminal Body: Art, Science and Prejudice, Moderated by Susan Erony, University Art Museum, University at Albany, New York,
“Multimedia: Best Practices,” Center for Excellence in Teaching and Learning, University at Albany, New York, February, 6, 2001.
“Compress ‘till it Hurts: Understanding Web Graphics Optimization,” Interactive Multimedia Center, University at Albany Library, Spring 2001.
Visiting Artist Lecture/Multimedia Presentation: "Counterintelligence"
University of North Texas School of Visual Arts, Denton, Texas, April 2000
Visiting Artist Lecture/Multimedia Presentation: “CounterIntelligence,” Koussevitsky Art Gallery, Berkshire Community College, Pittsfield, Massachusetts, April 24, 2000.
Visiting Artist Lecture/Multimedia Presentation: “Counterintelligence,” Cooper Union School of Art, New York, New York, February 2000.
“I/O: 360 (Color Management for Digital Output)”, Interactive Media Center, University at Albany Library, Fall 1999.
Visiting Artist Lecture/Multimedia Presentation: "Counterintelligence"
University at Albany Art Dept., May 1999
Visiting Artist Lecture/Multimedia Presentation: "Counterintelligence"
Montclair State University, Montclair, New Jersey, May 1999
Professional Organization Memberships
College Art Association, 1996 to present
Society for Photographic Education, 2003 to present
Center for Photography at Woodstock, 2003 to present
Rhizome at the New Museum of Contemporary Art, 2000 to present
United University Professions, 1999 to present